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Tuesday, January 01, 2008

J.M.K.E. 1986-2002 Discography

Gringode Kultuur (Culture of the Gringos) LP/CD TWINLP 13/TWINCD 13, Finland 1993
Sputniks In Pectopah CD TWINCD 27, Finland 1995
Jäneste Invasioon (The Invasion of the Rabbits) CD TWINCD 31, Finland 1996
ÕHTUMAA VIIMASED TUNNID (2000)
AINULT PLANEET (2002)


J.M.K.E. Biography by Toomas-Erik Mathäus
Villu from Velikije Luki (the band, not the city), Venno from Verine Pühapäev, Tarvo from Novikov and Mati from somewhere formed J.M.K.E. in Tallinn on January 18th, 1986. The original singer, Mati, left the band soon afterwards, leaving Venno on drums, Tarvo on bass, and Villu on vocals and guitar, sometimes working together with guest singers (with Tõnu Trubetsky from Vennaskond they played under the name "Vürst Trubetsky & J.M.K.E."). For the first three years they mainly played concerts in Estonia, and a couple of times in Latvia, Lithuania, and Russia. It was almost impossible to travel outside the U.S.S.R. in those days, especially if the KGB took an interest in you. J.M.K.E. came into vogue due to their lyrics, whih were at the same time angry and funny, ironic and melancholic, full of care yet cynical, and also because of their peculiar melodic yet hardcore punk rock. They became the most popular punk band in Estonia, and remain in this position until now. In 1987 Villu wrote "Tere Perestroika", initially singing it alone with guitar. Later the band made numerous different versions of the song. It became a big hit because of its humorous topicality, and in 1988 won hands down a song contest on a popular Estonian TV show. The prize, a holiday in Europe, never arrived. In 1988 came the first line-up change – Tarvo skipped from J.M.K.E. to Röövel Ööbik and a new bass player, Lembit, joined the band. In 1989 two men from Helsinki, Joose Berglund and Jorma Ristilä, founded a new record label, Stupido Twins, with the aim of publishing some Estonian bands. J.M.K.E.'s "Tere Perestroika" was release # 001. The winds of change in the Soviet Union had already blown some chains away, and so J.M.K.E. were able to travel abroad for the first time in April 1989, playing their first concert in Finland to middle-aged communists at the Leftist Forum in Helsinki. Later that autumn they recorded for Stupido Twins their first LP, "Külmale Maale" (To the Cold Country), which was the first Estonian rock record made abroad. Maximum Rock'n'Roll called it "absolutely excellent". At the end of 1989 Venno moved to P.V.A. declaring that J.M.K.E. has become too commercial for him, and Ardo took his place. The band toured Estonia, the Nordic countries, and Germany, made a couple of EPs, and only by 1993 started to record a new album, "Gringode Kultuur" (Culture of Gringos). Meanwhile Estonia had regained its independence and J.M.K.E. couldn't continue with their anti-Soviet songs (what was the point?), so they found their new "enemy" in the invading burger-culture, increasing poverty, and other early-capitalistic distresses. Lembit left the band in 1994 and was replaced by Sten. J.M.K.E. got also a new drummer, Andres, who plays the majority of gigs nowadays while Ardo, who is constantly travelling somewhere, has played on all studio recordings up to now. Their third album, "Sputniks in Pectopah" (1995), is an eclectic collection of popular Russian songs, sung in high energy Russian. The cover versions include the national anthem of czarist Russia, old revolutionary marches, soldiers' songs from WW2, and melodies from popular cartoons. In January 1996 J.M.K.E. celebrated their 10th birthday with the longest lasting concert of their history presenting on stage almost all persons who had ever played with the band, permanently or temporarily, and with a cassette-only-release, "Rumal Nali" (Silly Joke, on Fucking Cunt Records). This contained old D.I.Y. recordings mainly from 1986 and 1987. J.M.K.E. didn't make their first "tidy" studio recording until 1989 in Finland although by that stage they had enough songs for three or four albums. It was just impossible to release punk rock records under the vigilant glance of sickle and hammer. J.M.K.E. have gradually abandoned their directly political slogans and now tell more varied stories than before. Their newest album, "Jäneste Invasioon" (Invasion of Rabbits, 1996), is a good example of their present character. Besides, it can be considered J.M.K.E.'s best product since the legendary "Külmale Maale".

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Wednesday, November 07, 2007

PUNKLES - 2006 - The Punkles For Sale!


ザ・パンクルズ PUNKLESパンクルズ・フォー・セール!The Punkles For Sale!
2006年4月26日発売  TECI-24364  ¥2,520(定価)
パンクでビートルズ!2006年、パンクルズ旋風ここに!!!
日本先行発売!!!

The Punkles' Biography:
Originally intended as kind of joke back in 1997 the Punkles evolved into one of the world's best known Beatles tri­bute-acts of our times (a least in Europe and Japan). Their selftitled debut from 1998 on Wolverine Records sold much better than expected and the band esthablished itself as a very entertaining live act in Europe with their first tours. Highlight of this early state of their carreer were a couple of shows in Liverpool, the home of The Beatles, where they played two raving shows at the legendary Cavern Club. After a lot more touring around Europe, the band went back to the studio in 2001, recording their second Album Punk! which was released on Bitzcore Records 2002. Completly unexpected this album hit the Japanese import charts. The same year their debut album was re-released on Bitzcore entitled Beat The Punkles! featuring bonus tracks and their famous Drive My Car-Video which got massive screenplay on MTV-Japan. Later that year Dee Dee Harrison was replaced by outstanding guitar player Captain O1 Harrison. In 2003 The Punkles released a Nippon best-of compilation The Punkles 1998-2003 (also known as The Red Album) on Imperial Records in Japan that went top-so in the Japanese charts. Also in 2003 a third album Pistol was released in Japan and hit the charts too. By the same time another best-of album turned out to be very successful in France. In 2004 Pistol was issued in Europe and the band went on touring (until today The Punkles played about 100 shows in Europe promoting this album!). During the Pistol-tour Captain O1 Harrison left the band and Rat Harrison took his place - with him they recorded a fourth album The Punkles For Sale! in summer 2005. This new album is to be released in spring 2006 and further tours are in planning currently...
Product Facts:
The Punkles For Sale! is the 4th complete studio album recorded by the Fast Four. After performing about 100 live shows to promote the previous album Pistol the band went back to the legendary Ultraschall Studios in Hamburg-St.Pauli again, to record another 19 Beatles songs in their very unique style mixture of Beat & Punk. These recordings feature new guitar player Rat Harrison who joined the group during that tour replacing Captain O1 Harrison. The new album shows The Punkles at the peak of their carreer in terms of craftsmanship and musicality. Beside a couple of classical hits from the later period of The Beatles' catalogue, like Let It Be and Come Together, The Punkles For Sale! features their very own punk interpretation of The Beatles' final masterpiece: The comple­te Abbey Road Medley!
I will be hard for the band to top this record with another one - but: they don't worry about that. If you'd told them back in 1997 that they'd be going to record four full albums and become one of the world's most popular bands pay­ing homage to the Fab Four, you would have been called nuts!

Tracklist:
1 Back In The USSR
2 Come Together
3 Here Comes The Sun
4 I Wanna Be Your Man
5 The Continuing Story Of Bungalow Bill
6 Hold Me Tight
7 Glass Onion
8 One After 909
9 Octopus Garden
10 Ob La Di Ob La Da
11 Let It Be
12 You Never Give Me Your Money
13 Sun King
14 Mean Mr Mustard
15 Polythene Pam
16 She Came In Thru The Bathroom Window
17 Golden Slumbers
18 Carry That Weight
19 The End
Discography:
The Punkles/ The Punkles - CD (Ger 1998)
The Punkles/ Drive My Car 7" - Vinyl (Ger 2001)
The Punkles/ Beat The Punkles! - CD and LP (Ger 2002)
The Punkles/ Punk! - CD, LP and t-shirt (Ger 2002)
The Punkles/ 1998-2003 - CD (Japan 2003)
The Punkles/ Pistol - CD (Japan 2003)
The Punkles/ The Punkles - CD (France 2003)
The Punkles/ Pistol - CD (Ger 2004)
The Punkles/ Punk! - CD (Russia 2005)
The Punkles/ The Punkles For Sale! (2006)

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Tuesday, October 23, 2007

NOFX - 2003 - War on Errorism

2003 - War on Errorism

Review by Johnny Loftus
War on Errorism, NOFX's umpteenth collection of snide skatecore, is a half-great collection of the bratty double-time anthems dominated by Fat Mike's snotty, sarcastic vocals. But while the album bristles with broad political criticism, it also lays out rhetoric that seems to present an isolationist punk rock policy of its own. Included with War on Errorism is the trailer for Unprecedented, a documentary that traces the bizarre events of the 2000 presidential election. This is accompanied by a handwritten op-ed piece by Fat Mike, Smelly, El Hefe, and Melvin, in which the band does a little consciousness raising around the vert ramp. "The U.S. is now the butt of a worldwide joke," they write, in reference to the election hullabaloo. "All everyone keeps saying is 'get over it' or 'that was so two years ago.' Well, we're not getting over it and neither should you." Musically, NOFX fuses its political cynicism with criticism of punk rock itself, and suggests that the best thing for all the kids and the bands might be to close ranks and start their own little hardcore community. "Irrationality of Rationality" and "Franco Un-American" — two of the album's most melodic, catchy songs — are also two of War on Errorism's most biting commentaries. The first personalizes the trickle-down effect of corporate decision-making over a lockstep hardcore rhythm; the second gets all new wavy as Fat Mike reasons out his own world view, and somehow rhymes "apathy" with "Noam Chomsky." While NOFX makes its politics clear throughout the album, it also has ideas and questions about its own scene. "Separation of Church and Skate" wonders about the homogeny of punk in the 21st century, and the loss of danger in rock & roll. Later, "Mattersville" presents the blueprint for a California hardcore retirement community, a neighborhood of punks, where the cops can't come in and there's always beer and cheese. It's a fantasy, an update of Screeching Weasel's "Punkhouse." But it might also be a reaction to the heady subjects bandied about in War on Errorism's activist moments. In a subdivision surrounded by bands, punks, and skaters, no one would have to worry about bombs, evildoers, and those who put the "mock" back in "democracy" (from the seething "Re-gaining Unconsciousness"). War on Errorism is long on rhetoric, but it still fires off a few uncontrolled bursts of NOFX humor. "She's Nubs" is a crass yet sadly hilarious tribute to a handicapped fan; "Medio-core" channels the Dead Milkmen as it rips on rock & roll's ongoing regurgitation. The songs don't exactly jibe with War on Errorism's more serious sections. But if NOFX suddenly became all serious, America might really have a problem on its hands.

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Monday, October 22, 2007

NOFX - 1999 - The Decline

Friday, October 19, 2007

NOFX - 1997 - So Long & Thanks for All the Shoes

1997 - So Long & Thanks for All the Shoes

1 It's My Job to Keep Punk Rock Elite Fat Mike 1:20
2 Kids of the K-Hole Fat Mike 2:17
3 Murder the Government Fat Mike :46
4 Monosyllabic Girl Fat Mike :54
5 180 Degrees Fat Mike 2:10
6 All His Suits Are Torn Fat Mike 2:18
7 All Outta Angst Fat Mike 1:52
8 I'm Telling Tim Fat Mike 1:17
9 Les Champs Elysées Delanoe, Peigan, Wilsh 2:02
10 Dad's Bad News Fat Mike 2:02
11 Kill Rock Stars Fat Mike 1:32
12 Eat the Meek Fat Mike 3:30
13 The Desperation's Gone Fat Mike 2:24
14 Flossing a Dead Horse Fat Mike 1:45
15 Quart in Session Fat Mike 1:38
16 Falling in Love Fat Mike 2:17

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Tuesday, October 16, 2007

NOFX - 1996 - Heavy Petting Zoo

1996 - Heavy Petting Zoo

1 Hobophobic [Scared of Bums] Fat Mike :49
2 Philthy Phil Philanthropist Fat Mike 3:10
3 Freedom Lika Shopping Cart Fat Mike 3:43
4 Bleeding Heart Disease Fat Mike 3:36
5 Hot Dog in a Hallway Fat Mike 2:51
6 Release the Hostages Fat Mike 2:29
7 Liza Fat Mike 2:55
8 What's the Matter With Kids Today? Fat Mike 1:13
9 Love Story Fat Mike 2:37
10 The Black and White Fat Mike 3:36
11 Whatever Didi Wants Fat Mike 3:02
12 August 8th Fat Mike 1:35
13 Drop the World Fat Mike 3:22

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Monday, October 15, 2007

NOFX - 1995 - I Heard They Suck Live

1995 - I Heard They Suck Live

1 Linoleum Fat Mike 1:46
2 You're Bleeding Fat Mike 2:15
3 Moron Brothers Burkett 2:36
4 Punk Guy 3:09
5 Bob Fat Mike 1:09
6 Life O'Riley 2:36
7 You Drink, You Drive, You Spill 2:39
8 Nothing But a Nightmare (Sorta) 3:31
9 East Bay 1:06
10 Soul Doubt Fat Mike 1:53
11 Kill All the White Man Fat Mike, Hefe 3:00
12 Beer Bong 3:42
13 Six Pack Girls 2:16
14 Together on the Sand Lynn 1:12
15 Nowhere Fat Mike 1:07
16 The Brews ?1:37
17 Buggley Eyes Fat Mike 2:41
18 1:31
19 :53

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Saturday, October 06, 2007

NOFX - 1994 - Punk in Drublic

1 Linoleum Fat Mike 2:10
2 Leave It Alone Melvin 2:04
3 Dig Fat Mike 2:16
4 The Cause Fat Mike 1:37
5 Don't Call Me White ? 2:33
6 My Heart Is Yearning ? 2:23
7 Perfect Government Curry 2:06
8 The Brews ? 2:40
9 The Quass ? 1:18
10 Dying Degree ? 1:50
11 Fleas Fat Mike 1:48
12 Lori Meyers ? 2:21
13 Jeff Wears Birkenstocks? ? 1:26
14 Punk Guy (Cause He Does Punk Things) ? 1:08
15 Happy Guy Fat Mike 1:58
16 Reeko ? 3:05
17 Scavenger Type ? 7:12

Review by Stephen Thomas Erlewine
With their 1994 album Punk in Drublic, NOFX truly hit their stride. The quartet didn't change their approach at all — at their core, they remain a heavy, speed-addled, hook-conscious post-hardcore punk group — but their songwriting has improved, as has their attack. Prior to this record, they merely showed promise, but with Punk in Drublic they fulfilled their potential.

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Friday, October 05, 2007

NOFX - 1992 - The Longest Line (EP)

1 The Death of John Smith Fat Mike, Hefe 3:51
2 The Longest Line Fat Mike 2:04
3 Stranded Fat Mike 2:08
4 Remnants Fat Mike 2:59
5 Kill All the White Man Fat Mike, Hefe 2:48


Review by Mike DaRonco
It's easy to see why a million suburban punk bands out there are heavily influenced by NOFX. The music is incredibly tight, the humor is off the wall, and they have no intentions in hiding the fact that they don't take a thing seriously. But the punch line is that they all make a living off this band, so go figure. Released between Ribbed and White Trash, Two Heebs and a Bean, The Longest Line documents two firsts for NOFX: not only does it feature the debut of guitarist El Hefe, but it's also the first release on their Fat Wreck Chords label. As for the music, it's as tight and fast as ever with lots of added harmonies — most notably on "Stranded" — and a sarcastic sense of humor, most of which can be found on the ska parody "Kill All the White Man."

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Thursday, October 04, 2007

NOFX - 1992 - White Trash, Two Heebs and a Bean


1 Soul Doubt Fat Mike 2:46
2 Stickin in My Eye Fat Mike 2:24
3 Bob Fat Mike 2:02
4 You're Bleeding Fat Mike 2:12
5 Straight Edge MacKaye, Minor Threat 2:11
6 Liza and Louise Fat Mike 2:22
7 The Bag Fat Mike 2:46
8 Please Play This Song on the Radio Fat Mike 2:16
9 Warm Fat Mike 3:30
10 I Wanna Be Your Baby Fat Mike 2:56
11 Johnny Appleseed Fat Mike 2:37
12 She's Gone Fat Mike 2:56
13 Buggley Eyes Fat Mike 1:21
Review by Jason Ankeny
The title of NOFX's White Trash, Two Heebs and a Bean is a pretty fair indicator of what's going on in the grooves — specifically, tongue-in-cheek, politically incorrect forays into America's pancultural society. A SoCal punk band that recalls both the eclecticism and attitude of Camper Van Beethoven, NOFX rips through much more than standard-issue thrash; they transform Minor Threat's "Straight Edge" into a blues song with fake B.B. King vocals, go ska for the wry character study "Bob," and examine lesbian lifestyles with surprising maturity on "Liza and Louise." Not quite so understanding is "Johnny Appleseed," which pokes fun at the very concept of cultural diversity and is sung in a Hispanic accent by guitarist El Hefe.

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Wednesday, October 03, 2007

NOFX - 1992 - Maximum Rock'n'Roll


Tracks
1 Live Your Life 2:20
2 My Friends 2:17
3 Six Pack Girls 0:35
4 Bang Gang 1:30
5 Hit It Hold It Back 1:53
6 Id 1:14
7 Cops and Donuts 2:00
8 Iron Man Black Sabbath 2:08
9 Shitting Bricks 4:43
10 Mom's Rules 1:55
11 On My Mind 1:15
12 White Bread 1:33
13 Lager in the Dark 1:47
14 Too Mixed Up 0:34
15 Drain Bramaged 2:26
16 Bob Turkee 0:40
17 No Problems 2:08
18 Memories 1:12
19 Beast Within 0:54
20 Instrumental 0:55
21 Ant Attack 2:35
22 Ant Attack 0:45

Reviewby Andy Hinds
NOFX's lo-fi debut is routine, mid-'80s SoCal punk in the vein of the Descendants and other bratty, mile-a-minute punk bands; while most of the sonic characteristics that later defined the group's sound (including Bad Religion-influenced vocal harmonies) are missing, Maximum RocknRoll proves that NOFX's goofball humor was in effect from day one (see "Six Pack Girls," "Cops and Donuts," and "Shitting Bricks"). Perhaps best of all is the band's cover of Black Sabbath's "Iron Man." The liner notes include a June 1991 MaximumRocknRoll interview with Fat Mike, in which he gives props to bands like Snuff and Green Day. Amusing and historically interesting, but only for serious fans.

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Monday, October 01, 2007

NOFX - 1991 - Liberal Animation

Saturday, September 29, 2007

NOFX - 1990 - Ribbed

Credits: Fat Mike Guitar (Bass), Vocals; Mike Argotode Vocals (bckgr); Jay Bentley Vocals (bckgr); Donnell Cameron Maracas, Egg Shaker; Gina Chan Vocals (bckgr); Mark Curry Vocals (bckgr); Legendary Starbolt Bongos, Guiro; Eric Melvin Guitar, Vocals (bckgr); Mr. Christian Vocals (bckgr); Starbolt Bongos, Guiro

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Thursday, September 27, 2007

NOFX - 1989 - S&M Airlines

Saturday, September 15, 2007

The Geraldine Fibbers - 1995 - Lost Somewhere Between the Earth and My Home


From Eiliv Konglevoll 17 Sep 2003 letter to sycophant@smoe.org (Lisa Germano mailing list):
What is good with Lisa's music is that there is not much to campare with.But just found one artist or group with something common, which you mightlike. It have been standing just before her records, not played for a longtime. Geraldine Fibbers, Lost somewhere between the earth and my home. Hope itis still possible to find, this a knockout, I just found out. Have to searchvery hard to find a better record the last ten years. Lots of crazy violinsand insane lyrics, rather "violent" with wry humour. And I have never heardsomeone getting away with combining sentimental folk with Velvet white-lightnoise, in one song. It works, it works. "Everything I say is a stupid lie, Iwon't tell the truth even when I die, I'll pick myself to pieces 'til the endof time, then I'll glue them back together in a stupid rhyme." A group, butCarla Bozulich is the beginning and the end. Now I just got to find out abouther solo records! The group had two other records, also very good, but thefirst is a classic. Most people would back off, it is bizarre and extreme, butLisa fans are not easily scared.

The Geraldine Fibbers
Styles: Neo-Traditional Folk, Alternative Pop/Rock, Grunge, Indie Rock, Alternative Country-Rock
Biography by Jason Ankeny
The Geraldine Fibbers were the bluesy, country-tinged vehicle of singer/songwriter Carla Bozulich, a longtime veteran of the Southern California post-punk scene who previously tenured in Ethyl Meatplow and Neon Vein. After the former's 1993 breakup, Bozulich formed the Fibbers with guitarist Daniel Keenan, bassist William Tutton, violinist Jessy Greene, and drummer Kevin Fitzgerald, debuting the following year on the Sympathy for the Record Industry label with the EP Get Thee Gone. After signing to Virgin, the group issued 1995's acclaimed Lost Somewhere Between the Earth and My Home; Butch, a more rock-oriented effort recorded with new guitarist Nels Cline, followed in 1997.
Review by Michael Gallucci
Carla Bozulich's distorted folk tales for the desolate got their start on this debut album from her punky alterna-country performance outfit the Geraldine Fibbers, and what an introduction it is. Defying labels across the board, and turning old-style ancestral narratives into brutal and harrowing portraits of life on the edge of nowhere, the Fibbers wrap each of Lost Somewhere Between the Earth and My Home's 12 songs into a ball of fury and toss it against the wall of tradition, just to see what happens. The results, wickedly conveyed through Bozulich's often androgynous and twangy tones, are among the most original, if not always successful, conceived in the cookie-cutter '90s. Chaotic noise breakdowns give way to melodic singalongs, songs twist and turn through several side paths before reaching their destination, and everything sounds as if total annihilation is imminent. Scary, thoughtful and highly inventive (plus a bit one-noted), Lost is the sound of country gone to hell.

Tracks
1 Lily Belle (Bozulich, Keenan) 4:54
2 The Small Song (Bozulich) 3:30
3 Marmalade (Bozulich, Keenan) 5:09
4 Dragon Lady (Bozulich, Fitzgerald, Keenan) 4:50
5 A Song About Walls (Bozulich, Keenan) 4:20
6 House Is Falling (Bozulich, Keenan) 4:23
7 Outside of Town (Bozulich) 4:58
8 The French Song (Bozulich, Fitzgerald, Tutton) 6:04
9 Dusted (Bozulich, Fitzgerald) 2:40
10 Richard (Bozulich, Fitzgerald) 5:24
11 Blast off Baby (Bozulich) 4:09
12 Get Thee Gone (Bozulich) 6:37

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Monday, August 27, 2007

POGUES Discography RE-UP

Grab it as fast as You can - these link won't live here for a long period!
Album covers still availible in my previous Pogues post.

Labels: ,

Sunday, August 26, 2007

The Beatles meets Ramones & Metallica

Friday, April 27, 2007

The Clash - The Clash [US]

The Clash - 1977 - The Clash (USA version+bonus)

Review by Stephen Thomas Erlewine
Never Mind the Bollocks may have appeared revolutionary, but the Clash's eponymous debut album was pure, unadulterated rage and fury, fueled by passion for both rock & roll and revolution. Though the cliché about punk rock was that the bands couldn't play, the key to the Clash is that although they gave that illusion, they really could play — hard. The charging, relentless rhythms, primitive three-chord rockers, and the poor sound quality give the album a nervy, vital energy. Joe Strummer's slurred wails perfectly compliment the edgy rock, while Mick Jones' clearer singing and charged guitar breaks make his numbers righteously anthemic. Even at this early stage, the Clash were experimenting with reggae, most notably on the Junior Murvin cover "Police & Thieves" and the extraordinary "(White Man) In Hammersmith Palais," which was one of five tracks added to the American edition of The Clash. "Deny," "Protex Blue," "Cheat," and "48 Hours" were removed from the British edition and replaced for the U.S. release with the British-only singles "Complete Control," "(White Man) In Hammersmith Palais," "Clash City Rockers," "I Fought the Law," and "Jail Guitar Doors," all of which were stronger than the items they replaced. Though the sequencing and selection were slightly different, the core of the album remained the same, and each song retained its power individually. In 2000, Columbia/Legacy reissued and remastered the album to include the U.K. songs. Few punk songs expressed anger quite as bracingly as "White Riot," "I'm So Bored With the U.S.A.," "Career Opportunities," and "London's Burning," and their power is all the more incredible today. Rock & roll is rarely as edgy, invigorating, and sonically revolutionary as The Clash.


Tracks
1 Clash City Rockers Jones, Strummer 3:49
2 I'm So Bored with the U.S.A. Jones, Strummer 2:24
3 Remote Control Jones, Strummer 3:01
4 Complete Control Jones, Strummer 3:14
5 White Riot Jones, Strummer 1:59
6 (White Man) In Hammersmith Palais Jones, Strummer 4:00
7 London's Burning Jones, Strummer 2:10
8 I Fought the Law Curtis 2:41
9 Janie Jones Jones, Strummer 2:06
10 Career Opportunities Jones, Strummer 1:52
11 What's My Name Jones, Levene, Strummer 1:41
12 Hate & War Jones, Strummer 2:05
13 Police & Thieves Murvin, Perry 6:01
14 Jail Guitar Doors Jones, Strummer 3:05
15 Garageland Jones, Strummer 3:12

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The Ukrainians "Respublika" 2002

Review by Chris Nickson

Are the Ukrainians a force of nature? The band, originally formed as a side project by Wedding Present member Pete Solowka, has become something to be reckoned with over the years. Their presentation of traditional Ukrainian songs is both harder and more tempered on Respublika. Gone is the relentless speeding up during a song that had been one of their trademarks, replaced by more considered arrangements, like "The Pine Tree Was Burning," with its reference to the Cure's "10:15 on a Saturday Night." But there's also more power in their music, a deeper, harder bass pulse and thicker beat. It's all post-punk, very electric folk, like the mandolin solo on "The Maple Tree Stood at the Water's Edge," which has the edge of Joy Division in its fire, or the spiky "On the Hill." The band brings a lot to this old material, the feel of rock that ignites these songs to the stratosphere, whether it's the drums thundering under everything, or simply unaccompanied voices. For all that the folk material is wonderful, the two tracks that will gain attention here are the Sex Pistols covers, a fiery "Anarchy in the U.K." and a slightly goofy "Pretty Vacant." They're novelties, as their earlier Smiths covers were (although the maudlin Smiths songs fit wonderfully in a Ukrainian framework), but a great deal of fun. It would be a shame if they put the rest of the record in the shade, because overall it's the best work this band has done, mature but thrilling.

*Bonus archive contains Ukrainians's versions of Sex Pistol's God Save The Queen, Anarchy in UK (acoustic) and Tornadoes's "Telstar".

Tracks
1 Ty ZH Mene Pidmanula (You Decieved Me) Trad. 2:56
2 Anarchy in the U.K. Cook, Jones, Matlock, Rotten 3:07
3 Chervona Rozha Troyaka (Three Red Roses) Trad. 2:49
4 Horila Sosna (The Pine Tree Was Burning) Trad. 4:22
5 Arkan (The Lasso) Traditional 4:09
6 Oi Vydno Selo (You Can See the Village) Trad. 2:27
7 Srebrncia Liggins, Semenchenko ... 4:16
8 Stoyit Yavir Nad Vodoyu (The Maple Tree Stood at the Water's Edge) Trad. 5:36
9 Oi Na Hori (On the Hill) Trad. 3:03
10 Pretty Vacant Cook, Jones, Matlock, Rotten 4:01
11 Reve Ta Stohne Dnipr Shyrokyy (The Broad River Dnieper Roars and Moans) Trad. 0:54
12 Nalyvaimo Brattya (Let's Fill Out Drinking Cups, Brothers) Trad. 2:57
13 O Ukraino (Oh Ukraine) Trad. 3:33

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Manu Chao "Radio Bemba Sound System" 2002

Manu Chao - 2002 - Radio_Bemba


Review by Drago Bonacich
In July 2002, Manu Chao performed a live show in Japan, ending a worldwide tour carried out with his band, Radio Bemba New System, a multicultural group consisting of ten talented musicians from different countries. From Jamaican reggae to Latin alternative pop/rock, including rock en español, hip-hop, flamenco, and French rock, The Live Album delivers a collection of hits from 1998's Clandestino, 2001's Ultima Estacion Esperanza, and Mano Negra's legacy, the Parisian rock outfit named in honor of an Andalusian anarchist group that served as Manu Chao's breakthrough in the music industry. In addition, the 29-track record features the previously unreleased "Bienvenido a Tijuana," "Rumba de Barcelona," and a version of the classic Afro-Caribbean-inflected hit "Blood and Fire." Recorded at Paris' Grande Halle de La Villette in September 2001, The Live Album is a multilingual and experimental live experience featuring the best of Manu Chao.

1 Intro 0:50
2 Bienvenida a Tijuana Chao, Meslouhi 1:55
3 Machine Gun Chao, Negra 2:13
4 Por Done Saldra el Sol? Chao 2:41
5 Peligro Chao, Negra 3:09
6 Welcome to Tijuana Chao, Meslouhi 2:50
7 El Viento Chao 2:41
8 Casa Babylon Chao, Negra 2:34
9 Por el Suelo Chao 3:54
10 Blood and Fire Boswell 2:34
11 Ezln...Para Tod@s Todo... 1:41
12 Mr. Bobby Chao 3:36
13 Bongo Bong Chao 1:04
14 Radio Bemba Chao 0:20
15 Que Pasa Que Paso Chao 0:54
16 Pinocchio Capri 0:45
17 Cahi en la Trampa Capri, Chao 2:09
18 Clandestino Chao 2:59
19 Rumba de Barcelona Chao 3:31
20 La Despedida Chao 4:02
21 Mala Vida Chao 2:26
22 Radio Bemba Chao 0:33
23 Que Paso Que Paso Chao 1:10
24 Pinocchio Capri 0:44
25 La Primavera Chao 3:32
26 The Monkey Bartholomew, Negra 1:59
27 King Kong Five Chao, Negra 2:43
28 Minha Galera Chao 3:16
29 Promiscuity Chao 1:44

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Totally Fuzzy